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Dignity vs. Humanity

‘Protecting’ disaster victims’ dignity is barking up the wrong tree.

February 2008 By Jeff Brooks
4

That’s OK, right? The problem is how “recognizing dignity” is practiced. In real life, it means we mustn’t use images or verbal descriptions of:
* people holding out their hands;
* emaciated or otherwise endangered people;
* people in squalid surroundings that show their poverty; or
* people in visible grief or pain.

In other words, we should not show images of or describe people in need — people for whom we might make a positive difference if we vividly tell their story. That, the dignity movement says, strips people of their dignity.

If you’ve ever met poor and suffering people — especially those in the developing world — you know they have dignity. As with Robina, dignity often is their most notable feature: deep wells of self-sufficient personal dignity that simply overshadows their poverty, loss or pain. There’s not a thing in the world you or I or any photographer or journalist can do to diminish that dignity.

It is the height of arrogance to think their dignity needs our protection. It’s like the “White Man’s Burden” of the 19th century: the racist belief that we needed to go out there and save the hapless and benighted “natives” who lacked their own resources. It falsely sets us up as protectors of them.

But guess what: There is no us and them. There’s just us. Some of us live with life-threatening poverty or violence. Some of us live in comfort and prosperity.

The all-important connection
For those of us with the resources, it’s our duty and our joy to help our brothers and sisters in need. The dignity movement not only diminishes and objectifies the “victims” — but also separates donors from the world they could help change.

For donors to act, they have to know there’s need. And by “know” I don’t just mean the facts and numbers. They must experience the human face of suffering — the stuff that goes straight to the heart, awakens their compassion and motivates action.

Deprive donors of the strong images and gritty information it takes to show the seriousness of the situation, and you’re eliminating the human connection that makes fundraising possible.

Not only will you fail to raise funds, you will fail to serve your donors. Donors want to give — they do so with open, joyful hearts, not grimly or grudgingly. Donors know that generosity to those in need helps make us fully human.

Don’t get me wrong: There are many images we should not use in fundraising because they’re too graphic, too repulsive, too off-point. But please: The people we seek to help are not children who need our protection. And donors are not clueless dolts who will develop stupid attitudes.

Tell the truth. Tell it with drama and precision. Don’t hide painful realities. That’s our duty to our mission — and to our donors. FS

Jeff Brooks is senior creative director at full-service direct response agency Merkle, with offices in Seattle, Washington, D.C., and London. 


 

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COMMENTS

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Most Recent Comments:
L Durington - Posted on July 11, 2011
Great points as always Jeff, but I wanted to add that there can be a flip side to this. Using an image of a person or a child that is painful to look at can sometimes have the adverse effect - it can make a donor feel that the situation is hopeless and cause them to immediately turn away, close the e-mail, pitch the mailing.
Marc Sirkin - Posted on February 20, 2008
"There is no us and them. There?s just us."

Amen brother!
Drew Hood - Posted on February 19, 2008
Thanks for writing this. While I think you've made some excellent points (esp. the 'White Man's Burden' thing -- the idea that in protecting someone's dignity, we're still the good and noble white angels protecting the supposedly helpless [the full irony of that had never hit me until now]), I also wish that you would have addressed the importance of context.

It's not the photo of someone with their hand out that can rob someone of their dignity (although i agree that some people believe that), but the accompanying words and messages. What's important, and powerful, is the context within which that image is used (used...used).

I believe that a photo of Robina, or anyone else, could be used by nonprofit orgs who have woven into their organizational DNA, "the racist belief that we [need] to go out there and save the hapless and benighted 'natives' who [lack] their own resources." If an organization doesn't operate within the proper mindset, what would otherwise be a fine, dignified image could become something that would embarrass or degrade the subject.

As a "development photographer," I care deeply about how my images are used. Of course, I don't have too much control over that beyond communicating my values to those who hire me.

To sum up, it's quite refreshing to read such a well-thought-out, well-expressed article on a topic that hasn't seen much fresh insight. So thanks for that!! I agree with so much of what you said, and will think about it as I travel and work and shoot.
Terri - Posted on February 13, 2008
Story is a wonderful tool for building a bridges between the people we support and those who might help if they understood. On the other hand, there is a need to craft the story in a way that the person you are portraying--or even a whole class of people--doesn't get crushed by the hyperbole.

Sharing individual stories, even lots of them should be fine. Implying that the adults involved are children, loading on the generalizations and phrases that imply that the people involved ARE less, rather than HAVE less is not fine. The images you create with feeling last long beyond any campaign.

All or Nothing approaches rarely satisfy. It is important to make people feel for others--for fundraising and beyond. It is also important to realize that making people feel is a very powerful tool and needs to be used conscientiously (ie, with conscience.)
Click here to view archived comments...
Archived Comments:
L Durington - Posted on July 11, 2011
Great points as always Jeff, but I wanted to add that there can be a flip side to this. Using an image of a person or a child that is painful to look at can sometimes have the adverse effect - it can make a donor feel that the situation is hopeless and cause them to immediately turn away, close the e-mail, pitch the mailing.
Marc Sirkin - Posted on February 20, 2008
"There is no us and them. There?s just us."

Amen brother!
Drew Hood - Posted on February 19, 2008
Thanks for writing this. While I think you've made some excellent points (esp. the 'White Man's Burden' thing -- the idea that in protecting someone's dignity, we're still the good and noble white angels protecting the supposedly helpless [the full irony of that had never hit me until now]), I also wish that you would have addressed the importance of context.

It's not the photo of someone with their hand out that can rob someone of their dignity (although i agree that some people believe that), but the accompanying words and messages. What's important, and powerful, is the context within which that image is used (used...used).

I believe that a photo of Robina, or anyone else, could be used by nonprofit orgs who have woven into their organizational DNA, "the racist belief that we [need] to go out there and save the hapless and benighted 'natives' who [lack] their own resources." If an organization doesn't operate within the proper mindset, what would otherwise be a fine, dignified image could become something that would embarrass or degrade the subject.

As a "development photographer," I care deeply about how my images are used. Of course, I don't have too much control over that beyond communicating my values to those who hire me.

To sum up, it's quite refreshing to read such a well-thought-out, well-expressed article on a topic that hasn't seen much fresh insight. So thanks for that!! I agree with so much of what you said, and will think about it as I travel and work and shoot.
Terri - Posted on February 13, 2008
Story is a wonderful tool for building a bridges between the people we support and those who might help if they understood. On the other hand, there is a need to craft the story in a way that the person you are portraying--or even a whole class of people--doesn't get crushed by the hyperbole.

Sharing individual stories, even lots of them should be fine. Implying that the adults involved are children, loading on the generalizations and phrases that imply that the people involved ARE less, rather than HAVE less is not fine. The images you create with feeling last long beyond any campaign.

All or Nothing approaches rarely satisfy. It is important to make people feel for others--for fundraising and beyond. It is also important to realize that making people feel is a very powerful tool and needs to be used conscientiously (ie, with conscience.)